Showing posts with label metasemic. Show all posts
Showing posts with label metasemic. Show all posts

Sunday, February 1, 2026

Asemic Front 2 Gallery: Analog Collage (Cut-Up Asemic Vispo) by Anki Van Dijk (Netherlands)

 


"Analog Collage 3" (cut-up asemic vispo) by Anki Van Dijk 
(Barrle-Nassau, Netherlands) (January 2026) (16 x 12 cm)
(Image courtesy of the artist)





"Analog Collage 1" (cut-up asemic vispo) by Anki Van Dijk
(Barrle-Nassau, Netherlands) (January 2026) (23 x 16 cm)
(Image courtesy of the artist)





"Analog Collage 2" (cut-up asemic vispo) by Anki Van Dijk
(Barrle-Nassau, Netherlands) (January 2026) (13 x 13 cm)
(Image courtesy of the artist)




"Analog Collage 4" (cut-up asemic vispo) by Anki Van Dijk
(Barrle-Nassau, Netherlands) (January 2026) (13 x 13 cm)
(Image courtesy of the artist)




"Analog Collage 5" (cut-up asemic vispo) by Anki Van Dijk
(Barrle-Nassau, Netherlands) (January 2026) (12 x 20 cm)
(Image courtesy of the artist)



Analog Collage 6" (cut-up asemic vispo) by Anki Van Dijk
(Barrle-Nassau, Netherlands) (2014) (13 x 13) 
(Image courtesy of Anna Klos)










Thursday, December 18, 2025

Two Homages: For Mary Ellen Solt by Joel Lipman (Ohio, USA) & for Paul Celan by Cheryl Penn (South Africa)


"Homage for Mary Ellen Solt" by Joel Lipman (Ohio, USA) 
(December 2025) (Image courtesy of the artist)


Earlier this week I was excited to see visual poets Joel Lipman and Cheryl Penn had both digitally published impressive homages to two important figures in poetry, experimental literature, and visual poetry: Joel created a piece for Mary Ellen Solt and Cheryl – always a fan of great European poetry – produced an impressive work honoring Paul Celan.

Mary Ellen Solt (1920-2007) earned a master’s degree in literature from the University of Iowa. She became one of the most important leaders of the global concrete poetry movement of the 1960s, co-editing the influential and classic anthology Concrete Poetry: A Worldview (Indiana University Press 1968).

Learn more about Mary Ellen Solt, including Concrete Poetry: A Worldview at Ubu:

https://www.ubu.com/papers/solt/index.html



Solt’s concrete poetry collections, Flowers in Concrete and Marriage: A Code Poem, are contemporary classics. Among many other honors, she received funding from the National Endowment for the Humanities to research William Carlos Williams.



"Amsel: for Celan" by Cheryl Penn (South Africa) 
(December 2025) (Image courtesy of the artist)

Paul Celan (1920-1970) was a German-speaking Romanian who became a French citizen in 1955. He survived a forced labor camp where he was sent by the Nazis. In the ruins of Post-World War II Europe, Celan became globally recognized for his literary and cultural innovations. Today, he is enjoying revived interest among visual poets.

I am not at all surprised that Cheryl Penn chose Celan for the powerful visual poem in this post. Cheryl’s work has always included text and cryptic experiments with language and the borderland between word and image.

The invocation of Solt and Celan by Lipman and Penn allude to a powerful and rich history in visual poetry and experimental writing that is in need of further exploration. 

- De Villo Sloan
December 18, 2025
Elbridge, New York, USA





Tuesday, December 2, 2025

AF2 Review - "eyesore" by Johannes S.H. Bjerg & Charlotte Jung (above/ground press, Canada)

 


Cover of eyesore by Johannes S.H. Bjerg (Denmark) 
& Charlotte Jung (Sweden) (October 2025) 
(above/ground press)


Review of eyesore

by Johannes S.H. Bjerg & Charlotte Jung

Ottawa: above/ground press 2025

isbn: 978-1-77460-421-2

20 pages; 8 X 7 inches; stapled

 

Review by De Villo Sloan

 

Stockholm-based poet and playwright Charlotte Jung and Danish writer and artist Johannes S.H. Bjerg have collaborated to produce what might easily prove to be this year’s best collection of visual poetry: Jung’s minimalist concrete poetry and Bjerg’s calligraphic, asemic neoglyphs. 

rob mclennan – above/ground press editor – again displays his talent for locating and publishing the best postavant art and lit in his burgeoning chapbook series.  eyesore is eminently collectible, and the thoughtful reader will want to revisit the book many times to explore its possibilities for interpretation.


Asemic neoglyph  in eyesore by Johannes S.H. Bjerg


Johannes S.H. Bjerg is known in the visual poetry community primarily for his calligraphy-based asemic texts. He eschews the faux abstract expressionist approach taken by many of his contemporaries in favor of a stark, black and white textuality that complements Charlotte Jung’s poetry perfectly. Bjerg's vision of asemics is similar to the vision of Jim Leftwich and Tim Gaze (1993).

Bjerg’s compositions in eyesore are imbued with complexity not fitting a strict minimalist definition. His cursive streams weave in, above, and below the boundaries of our shared language.

Yet each piece is a single entity, drawing from the concept of the neoglyph (a term coined by John R. McConnochie). In the context of eyesore, each of Bjerg’s pieces can be read as a single asemic poem in a dialog with Jung’s work. His asemic pieces, for me, are similar to the approach taken by John M. Bennett and Henry Michaux.


meaning” by Charlotte Jung in eyesore


In my review of Charlotte Jung’s Collected (Timglaset 2023), I praised her concrete poetry, which I see sharing many traits with the work of Aram Saroyan. She works within the constraints of concrete poetry rooted in Modernity.

Jung also has a unique ability to present fluidity and subtle expression in a way that surpasses the work of previous generations. eyesore is another valuable addition to the growing body of Jung’s work.

rob mclennan has made an important contribution to vispo with the publication of this chapbook. The audience is presented with a unique opportunity to explore “new poetries” in the form of asemic writing and minimalist poetry in a lyric sequence. In eyesore, we see a glimpse of poetry’s future.

 

-        - De Villo Sloan

December 2, 2025

Elbridge, New York, USA







Saturday, August 16, 2025

Asemic Front 2 Gallery: Eco-Asemics & Other Recent Asemic Art by Brigitte Tye (Seengen, Switzerland)


"Asemic Kisses" by Brigitte Tye (Seengen, Switzerland) (lip stick, parallel pens 
& golden pen on paper) (August 2025) (Image courtesy of the artist)




"Eco-asemics (1)" by Brigitte Tye (found forest material) (August 2025) 
(Image courtesy of the artist)





"Eco-asemics (2)" by Brigitte Tye (found forest material) (August 2025)
(Image courtesy of the artist)





"The Language of Flowers" by Brigitte Tye (July 2025)
(Image courtesy of the artist)





"Depending on the Light" by Brigitte Tye (July 2025)
(Image courtesy of the artist)





"Dancing the Pen" (parallel pen & ink on paper) by Brigitte Tye 
(August 2025) (Image courtesy of the artist)





"Somebody is watching you... unplanned" " by Brigitte Tye 
(July 2025) (Image courtesy of the artist)







Friday, August 8, 2025

AF2 Gallery: "The Seagull's Alphabet" & Other Recent Eco-Asemics & Object Poems by Geof Huth (New York City)

 


"The Seagull's Alphabet" by Geof Huth (New York City) (August 2025)
 (Image courtesy of the poet)



"The Seagull's Alphabet" & Other Recent Eco-Asemics 
& Object Poems by Geof Huth


by De Villo Sloan


These days writing about esoteric abstractions such as metasmics and patasemics makes it easy for me to forget my first serious asemic theory to receive attention in our broader community was my writing about eco-asemics:


When Peter Schwenger was doing the research for his book Asemic: The Art of Writing (2019), he contacted me about some of my blog posts where Nancy Bell Scott (Maine, USA) and I had traded tree bark as mail art and called it asemic. Both she and I had been involved in some extensive online discussions about identifying asemic symbols in nature as well as in found material generated by humans. 


I deeply appreciate that Peter Schwenger found Nancy and I interesting and - in turn - that we could help him frame his thinking for what has become a classic book. When Nancy and I were trading Birch bark, I know we weren't thinking too seriously about conceptual art or the roots of language: (But the asemic seed was planted.) We were, honestly, having some fun and enjoying the creative freedom mail art allows. Nancy Bell Scott is a singular talent who significantly contributed to the growth of the asemic movement. 

Thus, I always try to represent eco-asemic visual poets on the blog. I have tremendous admiration for the poets who find their true visions in nature. Veteran visual poet Geof Huth is - as far as I'm concerned along with many other AF2 readers - doing spectacular work with eco-asemics, object poetry and the exciting synthesis taking place between the two.


- De Villo Sloan
Elbridge, New York, USA
August 8, 2025




"Shull 451: and may change and alter the same" by Geof Huth 
(July 2025) (Image courtesy of the poet)





"The See-E" by Geof Huth (July 2025) 
(Image courtesy of the poet)






"Woud 49: AT a/ti" by Geof Huth (July 2025) 
(Image courtesy of the poet)





"Untitled" by Geof Huth (July 2025) 
(Image courtesy of the poet)





"Shull 456: fhall be velted in" by Geof Huth (August 2025)  
(Image courtesy of the poet)





"perfon, who fhall throw any carcafe" by Geof Huth  
(July 2025) (Image courtesy of the poet)




De Villo Sloan is a concrete poet living in Upstate, New York. He writes frequently about postavant art & culture. He is director of the Winifred & De Villo Sloan, Jr., Charitable Fund.







Wednesday, August 6, 2025

Machine L=A=N=G=U=A=G=E: Danny Snelson "Reconstitutes" Charles Bernstein's Classic Avant Texts

 


Cover of Danny Snelson's project to "reconstitute" Charles Bernstein's 
L=A=N=G=U=A=G=E (May 2023/25)


Danny Snelson is involved in a project, L≠A≠N≠G≠U≠A≠G≠E, using artificial intelligence to "reconstitute" the original magazine published by the Language poets (1978-82) "so that machines might appreciate this 'poetics'". Visit the project here:

https://manifold.umn.edu/projects/the-little-database/resource/snelson-9781452973456-r006

Deepest thanks to Christian Bok who originally shared this information at X.

Tuesday, August 5, 2025

Dispatches from the Metasemic Hyperreal: New Work by EgiDia Elle (Italy), Miekal And (USA), Mike Miskowski (USA), Kristen Szumyn (Australia)

 


"Mirage from the past" by EgiDia Elle (Turin, Italy) 
(August 2025) (Image courtesy of the artist)



(Make sure to click to enlarge)




From PANSEMIC TEXTSTORM (with translation) by Miekal And 
(Wisconsin, USA) (July 2025) (Image courtesy of the poet)



Square 1


Violet storms wail electric dirge across fields
Shattered echoes drift beneath silent moon’s gaze
Fractured hearts pulse incandescent through ashen air
Ghost-winds murmur lost lullabies on the wind
Time’s shards float down ruins of ancient spires
Night’s ember-rain kindles whispers of tomorrow
Dawn carves its cry across a weary sky

Square 2

Deep oceans tremble under impossible ice
Salt-veins shiver where no sunlight ever falls
Submerged runes uncoil in drowned cathedral halls
Currents carry songs of drowned constellations
Coral-veils sway to a phantom’s lullaby
Breathless pearls drift toward the crushing dark
Pressure blooms crystal roses in the deep

Square 3

Scarlet rivers flow backward through ragged bones
Blood-tide blossoms in the marrow of time
Veins of flame map a geography of grief
Heart-cinders flicker on the brink of void
Each pulse erupts with the roar of stars
Ash and ember intertwine in silent dance
All endings blossom into new beginnings

Square 4

Wind-carved mountains hum with ancient memory
Stone-voices echo in the hollow of days
Broken peaks cradle vaults of buried stars
Sun-dust settles on the crest of legends
Roots of granite twist toward hidden worth
Sky-fissures bleed light into timeless dark
Pilgrims of dust kneel before stone-gods

Square 5

Neon flowers bloom on metal-waste horizons
Circuit-vines pulse with the hum of ghosts
Synthetic petals slow-dance in acid rain
Iron-breezes carry the scent of ozone
Rust-spores drift among electric gardens
Digital moths flicker in the cobalt night
Memory-seeds sprout in coded cathedrals

Square 6

Clock-ciphers spin within the mind’s deep vault
Ticking shadows stretch across thought’s expanse
Pendulums chant in the language of hours
Seconds fracture into galaxies of cost
Silent gears grind out stories of regret
Time-ghosts wander halls of vanished chance
Tomorrow stands at the threshold of now

Square 7


Ember-wings glimmer atop collapsed spires
Phoenix-ashes drift through the ashen air
Renewal’s heartbeat stirs beneath cold dust
Flame-seeds sleep in the cavern of stone
Hope’s spark waits in the hollow of night
Dawn’s breath coaxes new life from ruin
Every death carries the seed of dawn

Square 8


Celestial gardens bloom on cratered plains
Starlight-dew drips from the bones of comets
Moon-vines curl around forgotten temples
Meteor-petals scatter over endless night
Galactic winds hum hymns of creation
Universe-roots delve through the womb of dark
Life awakens in the hush between stars

- Miekal And (July 2025)





From PANSEMIC TEXTSTORM by Miekal And (Wisconsin, USA )
(July 2025) (Image courtesy of the poet)





"Disguised agenda" by Mike Miskowski (Arizona, USA )
(July 2025) (Image courtesy of the poet)





"Notation - databending" 
by Kristen Szumyn 
(Australia)
(July 2025) (Image courtesy of the poet)