Monday, February 12, 2024

Asemic Front 2 Review: "Circling the Start" by Dixie Denman Junius

 


Circling the Start

By Dixie Denman Junius

Tallahassee - Anhinga Press 2023

Anhinga Press Visual Poetry Series, Kristine Snodgrass, Editor

60 pages paper

9.5’ x 9’

Full color


Review by De Villo Sloan


Editor Kristine Snodgrass has launched the new Anhinga Press Visual Poetry Series with a spectacular, full-length collection by emerging artist and asemic writer, Dixie Denman Junius.

The first half of Circling the Start is a powerful series based, ironically, on a readable symbol: The Enso. Junius enters her asemic realm from Asian traditions that engage with paradox and contradiction.

In her preface, Junius writes, “Enso is the Japanese word for circle and is strongly associated with Zen, symbolizing anything from a rice cake to eternity” (xiii).

Her readers will certainly recognize the Enso as an indeterminate signifier that invites meditations upon meaning and as Shakespeare said, “signifying nothing.”

Junius continues, “My expression of the Enso is an opening to reveal the wordless poems in my mind and heart – centering me in the infinite wisdom of the moment. Thus far, I have created over 100 imperfect circles and interpretations from the Enso.”

Circling the Start presents approximately 25 beautiful color prints arranged in a skillfully sequenced series that leads her audience to insights about the nature of signs and asemics. The Enso series presents a narrative of the deterioration or deconstruction of the sign.

The series highlights a binary structure. I note many of the neo-concrete poets today chafe against the constraints of binary structures. I tend to agree, yet in the case of Circling the Start, the emphasis on the binary is justified, even beneficial. For instance, the Enso mirrors the signifier-signified structure of the sign frequently appearing in semiotics.




The second section of the book is an eye-popping, color-drenched tour-de-force showcasing Junius’s asemics. Her existing audience now has an enduring collection of her work under one cover; a new audience will be exposed for the first time to her talent.

I also want to praise Anhinga Press for including important contextual elements in the book: The introduction by Kristine Snodgrass, the preface by Dixie Denman Junius and an afterword by Karla Van Vliet.

The genres in contemporary vispo such as neo-concrete and asemic are opening fields of uncharted territory that require new ways of reading to share the extraordinary vision of these artists.

If Circling the Start is any indication, we can look forward to new books in the Anhinga Press Visual Poetry Series with excitement.




 De Villo Sloan is Director of the Winifred & De Villo Sloan, Jr. Charitable Fund