Wednesday, April 30, 2025

AF2 Commentary: Asemic Narratology - Miekal And's "KNOWTS FOR KNEVER" (Wisconsin, USA)


"Page 8 in KNOWTS FOR KNEVER" by Miekal And (Wisconsin, USA) 
(April 2025) (Image courtesy of the artist)

 


Asemic Narratology: Miekal And’s “KNOWTS FOR KNEVER: 

The Rediscovered Codex of X. Elam-Syr”


By De Villo Sloan


Visual poetry pioneer Miekal And is using artificial intelligence to weave complex sci-fi narratives and asemics. This is a fascinating synthesis of Philip K. Dick and Brion Gysin. Cheryl Penn (South Africa) is one of only a few visual poets I know who has attempted to integrate complex narratives into her work on this scale.

The digital narrative of “KNOWTS FOR KNEVER” gives a “speculative reconstruction” for the AI generated asemics that serve as the foundation of the narrative.

During the Asemics 16 collaborative book project, I noticed a popular method of asemic composition evolving: The artists merged visual poetry with the asemantic to intensify the expressionist power of the work. For instance, you might place weathered asemic neo-glyphs over glitched images of ruins.

Miekal And is expanding this genre to include fictions with asemic elements embedded. These have an affinity to graphic novels. Here is an example:


KNOWTS FOR KNEVER: The Rediscovered Codex of X. Elam-Syr

Name: X. Elam-Syr (speculative reconstruction)

Born: c. 1946–1953 (estimated)

Died: Unknown

Nationality: Presumed Martian-American (a symbolic nationality adopted within the work)

Known For: Inventor of the "Seismic Glyphic" and "Kneverline Script"

Field: Outsider Art, Visual Poetics, Scriptural Mysticism, Neo-Futurist Calligraphy

Associated Movements: Post-Linguistic Art Brut, Martian Semioticism, Autogenerative Diagrammatism

Major Work: KNOWTS FOR KNEVER (1960s?–1980s?)

Location of Discovery: Private archive, undated (discovered 2025)


(from "KNOWTS FOR KNEVER" by Miekal And)




"Page 4 in KNOWTS FOR KNEVER" by Miekal And 
(April 2025) (Image courtesy of the artist)


When I fully grasped that Miekal And had created organic, human-centric, folky asemics using Artificial Intelligence (on a number of levels), I came to appreciate the groundbreaking significance of the new medium. While using AI to construct new forms derived from the deepest roots of calligraphy, he has created texts - still rooted in human imagination - that are in actuality metasemic and hyper-real.

In a touch of irony not unnoted here, Miekal And has opened the field for linear narrative, genre fiction & other conventional modes in the asemic process of composition. I hope you will join me in following Miekal And's new work.


- De Villo Sloan

Elbridge, New York, USA

April 30, 2025




"Page 2 in KNOWTS FOR KNEVER" by Miekal And 
(April 2025) (Image courtesy of the artist)



(De Villo Sloan is a concrete poet who writes about postavant lit and art. He is director of the Winifred & De Villo Sloan, Jr. Charitable Fund.)










Monday, April 28, 2025

Selections from "KNOWTS FOR KNEVER: The Rediscovered Codex of X. Elam-Syr" by Miekal And (USA)



"Page 3" by Miekal And (West Lima, Wisconsin, USA) (April 2025) 
from "KNOWTS FOR KNEVER" (Image Courtesy of the artist)






"Page 4" by Miekal And  (April 2025) from "KNOWTS FOR KNEVER"
 (Image Courtesy of the artist)






"Page 9" by Miekal And (April 2025) from "KNOWTS FOR KNEVER" 
(Image Courtesy of the artist)







"Page 10" by Miekal And (April 2025) from "KNOWTS FOR KNEVER" 
(Image Courtesy of the artist)






"Page 11" by Miekal And (April 2025) from "KNOWTS FOR KNEVER" 
(Image Courtesy of the artist)






"Page 14" by Miekal And (April 2025) from "KNOWTS FOR KNEVER" 
(Image Courtesy of the artist)






"Page 15" by Miekal And (April 2025) from "KNOWTS FOR KNEVER" 
Image Courtesy of the artist)










Tuesday, April 22, 2025

Monday, March 31, 2025

Asemantic (Asemic) Calligraphy by Geof Huth (North Carolina, USA)

 


"The Red Waver" by Geof Huth (March 21, 2025) 
(Newport, North Carolina, USA) 
(Image courtesy of the artist)




"Moving into Position" by Geof Huth (March 21, 2025)
(Image courtesy of the artist)




"the scent of earth reminds me" by Geof Huth (March 22, 2025)
(Image courtesy of the artist)





"The Twelve Apostles" by Geof Huth (March 20, 2025) 
(Image courtesy of the artist)




"The High Pressure of Humanity" by Geof Huth (March 22, 2025) 
(Image courtesy of the artist)




"the weight of darkness is the weight of light"" by Geof Huth 
(March 20, 2025) (Image courtesy of the artist)








Friday, March 28, 2025

AF 2 Gallery: A Selection of Asemic Visual Poetry by Giuliana Crocivera (Palermo, Italy)

 


"Pacifist and Non-Violent Asemic Kit" by Giuliana Crocivera 
(Palermo, Italy) (March 2025) (Image courtesy of the artist)






"Asemic Spring Cleaning" by Giuliana Crocivera (March 2025) 
(Image courtesy of the artist)







"An Asemic Profile" by Giuliana Crocivera (February 2025) 
(Image courtesy of the artist)







"From the log book" by Giuliana Crocivera (March 2020) 
(Image courtesy of the artist)







"Transferable" by Giuliana Crocivera (March 2020) 
(Image courtesy of the artist)







"Asemic Poem" by Giuliana Crocivera (January 2025) 
(Image courtesy of the artist)







"Asemic Window with Poetry" by Giuliana Crocivera (March 2025) 
(Image courtesy of the artist)






"Asemic Landscape" by Giuliana Crocivera (March 2025) 
(Image courtesy of the artist)








Thursday, February 20, 2025

SEMI-AUTOMATIC #15, #39 & #52 by Minette Marcroft & De Villo Sloan (USA) (automatic writing)

 


"SEMI-AUTOMATIC 52" by Minette Marcroft (automatic writing) 
& De Villo Sloan (USA) (February 2025)




"SEMI-AUTOMATIC 39" by Minette Marcroft (automatic writing) 
& De Villo Sloan (USA) (February 2025)






"SEMI-AUTOMATIC 15" by Minette Marcroft (automatic writing) 
& De Villo Sloan (USA) (February 2025)











Friday, February 7, 2025

Exhibition - Henry Michaux: The Mescaline Drawings (The Courtauld, London) (February 12 - June 2025)


"Untitled (1956)" by Henri Michaux. Private collection.



Opening soon... Henri Michaux: The Mescaline Drawings

The Courtauld, London (February 12 - June 2025)

https://courtauld.ac.uk/whats-on/exh-henri-michaux-mescaline-drawings/


In January 1955, as part of an experiment prompted by his publisher, the Franco-Belgian poet and visual artist Henri Michaux tried the psychedelic drug mescaline, to investigate the effect of this non-addictive drug on the creative act.

It transformed Michaux's artistic life - provoking an outpouring of writings and distinctive drawing during the 1950s and 60s as he sought a portal into the inner workings of the mind.

Opening soon in the Drawings Gallery, explore a selection of these later works, rarely seen in the UK, and experience his attempt to push the limits of what the essence of drawing really is.

 Included with Gallery Entry. Friends go free.

The programme of displays in the Gilbert and Ildiko Butler Drawings Gallery is generously supported by the International Music and Art Foundation, with additional support from James Bartos.

Henri Michaux (1899-1984), Untitled (Mescaline drawing), 1957, pen and black ink on paper. Promised gift by Linda Karshan in memory of her husband, Howard Karshan. On long-term loan to The Courtauld Gallery, London © ADAGP, Paris and DACS, London 2024.

Henri Michaux (1889-1984), Untitled, 1956, Graphite, black and coloured inks on paper, 184 x 131 mm. Private collection © ADAGP, Paris and DACS, London 2025.

(Thanks to The Courtauld for exhibit information & image)